How Not To Write Female Characters
Female characters. When fifty per cent of your potential target audience is female, if you’re not writing them in your screenplay or novel? You’re making a BIG mistake!
But how should you approach your female characters? That’s the million-dollar question … After all, women in real life are complex, varied and flawed. Knowing where to start in creating three dimensional female characters for your story is extremely difficult.
So … perhaps it’s easier to figure out how NOT to write female characters?
Script editor, novelist and owner of the UK’s top screenwriting blog www.bang2write.com, Lucy V Hay has spent the last fifteen years reading the slush pile. She has learned to spot the patterns, pitfalls and general mistakes writers make when writing female characters – and why.
In How Not To Write Female Characters, Lucy outlines:
•WHO your character is & how to avoid “classic” traps and pitfalls
•WHAT mistakes writers typically make with female characters
•WHERE you can find great female characters in produced and published content
•WHEN to let go of gender politics and agendas
•WHY female characters are more important than ever
Lucy is on a mission to improve your writing, as well as enable diverse voices and characters to rise to the top of the spec pile.
REVIEWS FOR LUCY V’S WRITING ADVICE:
‘A timely guide to creating original characters and reinvigorating tired storylines. ‘
– Debbie Moon, creator and showrunner, Wolfblood (BBC)
‘Lucy V. Hay nails it’
– Stephen Volk, BAFTA-winning screenwriter: Ghostwatch, Afterlife, The Awakening
‘Packed with practical and inspirational insights’
– Karol Griffiths, development consultant and script editor, clients include ITV, BBC, Warner Brothers
‘A top-notch, cutting-edge guide to writing and selling, not just practical but inspirational. Lucy’s distinctive voice infuses the entire journey. Quite brilliant. Here’s the woman who’ll help you make things happen.’
– Barbara Machin, award-winning writer & creator of Waking the Dead
‘Delivers the stirring call to arms that writers must not only write, but take their work to the next level themselves, making sacrifices and taking risks if they want to see their stories on screen.’
– Chris Jones, Filmmaker, Screenwriter & Creative Director at the London Screenwriters Festival
‘Writing and Selling Thriller Screenplays is a must-read for any writer, producer or director looking to create (or in the process of creating) a thriller production. It could also be immensely useful for those generally curious about the genre or looking to learn more.’ – Film Doctor
‘Lucy V Hay explains what a script reader and editor’s role in filmmaking, tells you to work on your concepts and that dialogue is the last thing to work on in her new book.’ – Brit Flicks
This is a short and snappy writing guide in which Lucy delivers lots of advice and guidance for all writers from wannabe to well-established. There’s something for everyone to think about, take on board and implement. It’s not just for novelists, but for screenplay and script writers too.
There are useful periodic ‘In a nutshell’ summaries that reinforce the point that’s just been made, and those help the information sink in, whether it’s about focussing on good writing, overdoing it with a Kick Ass Hottie or how much agency to allocate to your female characters.
I guarantee you’ll come away from this book with some new ideas and approaches for your own writing.
Lucy V. Hay is an author, script editor and blogger who helps writers via her Bang2write consultancy. Lucy is the producer of two Brit Thrillers, DEVIATION (2012) and ASSASSIN (2015), as well as the script editor and advisor on numerous other features and shorts. Lucy’s also the author of WRITING AND SELLING THRILLER SCREENPLAYS for Kamera Books’ “Creative Essentials” range, as well as its follow ups on DRAMA SCREENPLAYS and DIVERSE CHARACTERS.
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