The Eurovision Example for Indie Authors

For those of you who don’t know, i.e. anyone not based in the ever-extending and loosely defined Eurozone, Eurovision is a huge annual song contest for European nations plus a few friends to join in. It began in 1956 as a way of strengthening the ties between countries in Europe, which was still recovering from the ravages of the Second World War. It’s grown and grown since then and as far as I’m concerned is an unmissable spectacle of national pride, fun and lots of talent. As ever, I was watching last night and enjoying every minute.

Now, a lot of people love to rubbish the Eurovision Song Contest, saying it’s naff and amateurish, so that immediately suggested a link to me with indie authoring. Too many people, including a lot of mainstream publishers, are all too quick to denounce all self-publishing writers in the same condescending way. And when you start to look, there are a lot more similarities between this joyous, optimistic musical event and today’s enthusiastic indie authors.

ryannolanLast night, poor old Ireland came last. That was tough, and was felt strongly in our Anglo-Irish household. Ryan Dolan gave a brilliant performance – polished, professional, pleasing – but didn’t pick up the popular vote. That happens so often with indie authors. They do absolutely everything right and have a good product but can’t seem to find readers. Ireland had plenty of points in common with the winners, Denmark, namely a good looking singer, catchy music, a prominent role given to drummers and a well-choreographed stage show. Similarly, an indie author can produce a book that is every bit as good and worth reading as one by a best-selling paperback author but can’t get the recognition it deserves. However, Ireland will dust itself down and try again next year, and that’s what indies do. They don’t give up.

Some countries go for a safe approach in the Contest and jump on the current popular bandwagon. Germany’s song was very heavily inspired by last year’s winner by Sweden, ‘Euphoria’. A musical version of fanfic perhaps? In their case it didn’t win, but they didn’t do disastrously. For some writers, following the trend is enough. Think of all the erotica that’s appeared in the wake of 50 Shades. It may not be what the authors really wanted to write, but they knew it would probably sell, so they had a go. That makes commercial sense, if not artistic sense, some might argue. And by all means, be like Azerbaijan and Georgia and play safe; go for something a little predictable and non-ground breaking but still thoroughly commendable and enjoyable.

Other countries don’t want to fit in with the herd. They go for originality and dare to be different – extremely and dramatically different in Romania’s case yesterday! You don’t get many male contraltos in vampiric oufits. Cezar had incredible talent and an astounding vocal range, as well as showiness, and really shook things up. Fabulous. This is precisely what many indies do, and is why they’re indies in the first place. Their books will never fit in with a conservative ‘traditional’ publisher so they take the responsibility for launching themselves and their unconventional ideas. But they have to write is well worth reading and makes us think. Who wants to be stuck in a reading rut?

Greece gave an energetic performance that defied any categorisation. What else would you expect from a group of men, each dressed in what looked like a sports shirt and a pleated skirt (a traditional podea, I believe)? Many indies are like this. The appearance of their books may be a little unconventional and not very slick, but there’s a lot of heart and soul inside. These authors give you their all, and you can take it or leave it.

Which brings us full circle. Take it or leave it is the Eurovision Song Contest’s robust attitude. And that’s shared by indie authors. Love them or hate them, they don’t care, but at least give them a fair chance. Like the Song Contest, they’re here to stay. They make a valid contribution to culture with their genuineness and the fact that artists who might never make it in the mainstream of their art form get a chance to surprise, shock, baffle, delight, horrify and maybe gobsmack, but above all to shine.